Horniman Museum Pt 2. Monster Families Gates Open… and is HUGE!

DSCN2271Yes… you saw it here first!  Carmen was amazed… My old “Saltasaurus Nesting Grounds” has never been seen like this before! We couldn’t believe how an original  painting 75 X 51 cm (in the vaults of Charlie and Flo Magovern) can be blown up to this scale and still look fine. Must be Gondwana Studios and Stone&Co magic!… and moreover, it literally opens to the public on Saturday!DSCN2267

Dinosaurs Monster Families is an event for everybody. Here I am with Rose Smith after a sneak preview this morning. I have finally been able to see a preview of the exhibition that takes  London by storm tomorrow… and it is one of the best set-ups I have seen Hatching The Past in.  Thanks to the good work of Peter Norton and the Horniman Museum team  in creating this wonderful event. The space might not be very big, but the amount of excitement contained here is amazing. It also includes two children play areas and many surprises…  don’t be fooled by the bare bones on the floor… they will be in a sand pit!

I’d like to specially  thank   Rose Smith(Community Learning Officer), Amy Welsh (Exhibitions Officer), Ellie Smith (Exhibitions & Design Manager) and Alison McKay ( PR & Media Officer) among many, for their support and good team work in setting this all together.

This is a classic exhibition for a classic venue, and we probably couldn’t find a better setting. Hope to see a few of you around here… if you live in London or are visiting, don’t miss it! Dave Hone is giving a talk there next Wednesday too!

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London’s Best Kept “Secret” Dinoexhibit Is About To Be Unveiled!

DSCN2215It’s finally here… and I have followed Peter Norton step by step build-up of Hatching The Past for the first time in London, at the Horniman Museum in South London and this time under the name of  “Dinosaurs Monster Families

As usual, it is a thrill to see the man working… and I think the final results will be as awesome as usual.  The space is not as big as I thought, so the casts, specimens and artwork are tightly spaced… for the better, I think. Novelties this time are even more egg casts, a David Attenborough surprise contribution  and the huge Tarbosaurus skull (holotype) that Peter has added lately… I had the joy to “play” with it before being installed in place!

Don’t miss this event… it starts the 13 of February for six long months… so there’s plenty of time for enjoyment, including organised talks by David Hone and possibly some events for kids with Carmen and yours truly.

Next week I’ll post some images of the finalised  exhibition after it opens… It will be the first time that an exhibition with my murals will be shown in my home town. It is an extremely rewarding experience.

Posted in Dinosaur Monster Families, Dinosaurs, Hatching The Past, Museum Displays, oviraptorosaurs, Raptors, tyrannosaurs | Tagged , , | Leave a comment

A couple of Mosasaurs for Walentinia!


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Walentinia Silverada is a student and colleague at the Instituto de Geología in Mexico City (fresh out from the illustrious clan of the UNAM/René Hernández & Marisol Montellano cradle). She has been studying Mexican mosasaurs for a long time… in fact they have been her thesis and now  she has graduated!  She complained to me that very seldom mosasaurs could be seen showing their ‘lizard’ forked tongues (based  not only on assumed ancestry, but  actual features in the skull’s jaws: two holes in the palate allow the odour particles to be transferred from the tongue’s tips to Jacobson’s organ.  See Netherlands Journal of Geosciences — Geologie en Mijnbouw | 84 – 3 |359 – 371 | 2005). She also noted that their possible general coloration  (based on latest discoveries regarding fossilised pigmentation) is also been often ignored… no less by monster atrocities of the likes of Jurassic World.

Schulp-2005-Did mosasaurs have forked tongues-3-7So what better way to celebrate her graduation than fulfilling her desires all at once? The coloration we discussed was somehow similar to a killer whale, makes sense… Although I’m still reluctant to take all studies on fossilised melanomas  too readily!  Things like this make it real fun to do marine reptiles at last…A good start of 2016, and is not even dinosaurian yet!  Here are a couple of (hypothetical) “Silveradasaurus walentiniae” in action… and by the way, she specially likes their eyes!

Clock is ticking for the great opening of Hatching The Past in London at the Horniman Museum the 13 of February…  Watch this space. More information soon!

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Winter Solstice 2015/16

Card 2016BlogJust in time for the silly hats…As ever I thank you all for the support to this blog throughout this year… wishing you a better 2016 if at all possible!

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Popularising science… The right way!

Remember this? When I did this restoration of Sereno’s outlandish Spinosaurus, I could’t wait to hear the complaints… there were some but not as many as I expected!

Spinosaurus WalrusBNow I have just purchased the new 1:40 scale Spinosaurus from the Collecta label… and guess what? Not only they have done a very decent popular toy model of Sereno’s reconstruction… could it be  that they also heeded my advice!?…  So far I have not seen anyone else reconstructing the quadrupedal Spinosaurus with an outwardly bending hand.

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There is something inherently wrong  with a “knuckle walking” dinosaur without proper adaptations to such specialised trait … just as it is completely wrong to reconstruct Deinonychus or any maniraptoran  with pronate hands.  We all know that radius and ulna were locked parallel to each other in all theropods… consequently the wrist started modifications so the hands could rotate sideways… a process that permitted, eventually,  the evolution of the  wings of a bird.

CollectaspinB2Alan Gishlick demonstrated to me a long time ago that all theropod hands could also bend slightly outwards. We need a more serious study of the Spinosaurus hand… in the meantime, if the new Spinosaurus would try to walk with  hands bending  inwards (as it has been generally depicted lately),  it would have to use the wrists to touch the ground!… that seemed absurd to me,  so the bending outward was what I applied to my “walrus” Spinosaurus… and that is precisely what Collecta has done with its new model! I want to believe that my idea had something to do with it!

It may look outlandish and quite extraordinary (and I also question the fact that such puny legs could actually be useful for walking on land the way the model does)… but you have to agree that this is the right way to get our collective popular imagination into a real scientific debate… is it possible or not?  Can this monster be too much of a monster?  At least is not deformed according to  Hollywood’s expectations, but according to real scientific work. It might be flawed or not… but after the recent Jurassic World attempt to blow Palaeontology apart,  this little toy made me renew my hope that popular science is not completely lost to mass-marketing pressure …. needless to say I’m looking forward to apply some of my own colouring to the model  it in the near future!

Posted in African Prehistory, maniraptora, Spinosaurs, Toy Models, Uncategorized | Tagged , , , | 2 Comments

Dinosaurs Take Flight opens at last!

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There exhibition many of us were waiting for since last year is finally opening at the Kenosha Public Museum! It is a dazzling design by Nick Regester and Alanna Magovern dedicated exclusively to artwork representing Archaeopteryx and its dramatic development and study as probably the most famous fossil in History and  includes artwork  of artists of the stature of Julius Csotonyi,  Gary Staab, William Stout, Mark Hallett, Dennis Wilson and I feel privileged to be in such compelling (and legendary) company. There’s a very good gallery of images at Silver Plume Exhibitions… but since we are here I can show you some pictures of my own part of the display… Every artists section is the same, although obviously there are space differences.especially with respect of the work of the sculptors… It emphasises the fact that this is more than anything an art exhibition, with some personal memorabilia from the artists including old sketches and even  some childhood art (bit embarrassing, but hey, at least it made my parents happy in those ages…)!Rey Section 2

It also includes some original acrylics and inks on board artwork, contrasting with its digital development…Archaeopteryx as it was in 2000 (using as inspiration a photograph of a Hoatzin chick struggling to climb to safety) and as it finally is now, after lots of tugging and shoving with researchers like Jakov Vinther and Nick Longrich!
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But what I set up to  specially do for this landmark itinerant exhibition was the mural (that unfortunately for reasons of space could not be life size!). In it I wanted to reflect the multiple sizes and astounding shapes of Archaeopteryx maniraptoran relatives… From Archaeopteryx itself to Confuciusornis, a flying Cathayornis, Ichthyornis, Anchiornis, Tröodon, Velociraptor, Deinonychus, Microraptor, Bambiraptor, Sinornithosaurus  finishing off with a cut-off Utahraptor that is trying to get away from everything. This mural includes an interactive touch screen where kids can select each animal and learn about their scientific facts.  Needless to say, the amount of work Alanna and Nick have put in this exhibition is monumental and the results are nothing but outstanding. The slick and carefully displayed pieces are a joy to watch and on top of that… you have  perfect casts of ALL the Archie specimens  to behold!

Thanks to everybody involved and specially Alanna and Nick for making this such a memorable event.Rey section 3
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Just a single picture…

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Hatching The Past in Delaware USA (picture by Charlie Magovern). A momentous  snap that finally show the moment Oviraptors hatch their babies in the XXI Century (albeit in human form).

Who says Paleoart doesn’t pay? At least some times it does…And this kind of payment is priceless!

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Odds and Sods… more extras for Anusuya Chinsamy’s Fossils For Africa.

TendaguruBHaving fun with old artwork includes also  modifying existing pieces that  I never found completely satisfactory the first time around. This Tendaguru composition pretended to simply pleasantly illustrate all the famous well known animals from that famous Tanzanian formation. I have always found  Elaphrosaurus rather puzzling… when I saw its skeleton at the Humboldt Museum in Berlin it looked odd and the skull was obviously too reconstructed to be  sure how would it have really looked: very long neck and body and almost ridiculous small arms for a mid sized Theropod.  A long time agoi it wqas considered an ornithomimosaur, it’s currently classified as a ceratosaurian but its possible relation to abelisaurs seems also justified.  In the picture it could be chasing either the ornithopod Dryosaurus (hypothetically quilled in the picture) or, obviously,  the baby Brachiosaurus sheltered under the monstrous frame of its mother… Obviously the scene wouldn’t be complete without the armoured Kentrosaurus that, together with the rest of the animals, looks tiny in an scenario dominated by Brachiosaurus. In many senses this is just a tribute to  the great experience that is the Humboldt Museum… an extraordinary dinosaur hall that doesn’t appear too big compared with many others around the world, but, the ensemble is so impressive and so well put together that you can spend hours just sitting by the feet of Brachiosaurus, Diplodocus and Dicraeosaurus and in awe of the contrast in sizes and shapes! The pterosaurs in this scenario are Dsungaripterus… but it’s location here is purely hypothetical.

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Genesis of a Feast. The Trike Decapitation!

T rex CarcassBEverything started inconspicuously… SVPCA, lethargic rodent presentation (very sorry rodents!) and my mind reeling by a fantastic suggestion of Mark Wildman… what can you do? Start doodling! From doodling anywhere I could, to formal pencil leading inevitably to the final thing… The corridors of meetings like SVPCA or SVP are the source of so much paleontological riches! DSC02702B

The fact is that there’s evidence of T. rex teeth marks on the coronoid process of the lower jaw of a Triceratops (as shown in this  display in the Carter County Museum). The rex  pulling on the trikes’ skull  brought me nightmarish images of its final decapitation! And thanks to Mark Wildman (and Andrew Parisi for the picture)  for pointing out that  this is not the only known lower jaw  from a Triceratops showing the teeth marks…  With the head shield  out of the way, T. rex would have been able to  expose the neck, even if the skin was protected with parallel rows of square scales as we know from the -still unpublished- evidence,  it must have been an irresistible delicacy for a bunch of  carcass-feasting T. rexes.  That way they could pick and choose… initially avoiding the well protected  spiky parts of the body!20150725_133507CCcoronoid At the end I have no doubt that very little of the body remained, probably except the, mostly, not very fleshy skull… maybe that is why  we find so many skull remains and so little at the level of whole skeletons.

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Food for the mind like this is what is still providing me the thrills to continue my work. Whenever something entices me I immediately jump to the challenge. Nowadays I care so much more about new, provocative ideas than technical art achievements! My advice to new paleoartists is: forget obsessing with technicalities and get into conceiving new scenarios, new looks, new ideas! These days it is becoming difficult to create novel alternative illustrations  in the middle of the maelstrom of so much Paleoart.

This is a formal request: any  reader of this blog that comes with a really interesting, new, provocative vision (like Mike Kelly has been providing us with lately)  just get in touch… If you’d like to see something that really tickles my fancy you will definitively see it realised by yours truly if  it pleases you!

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Flugsaurier and SVPCA 2015… Face to Face with the Snake!

The Paleo meetings here in England are getting more sophisticated and better attended these days. As a novelty this year the legendary Flugsaurier (Pterosaur) meeting happened in Portsmouth. It always brings me great memories from Munich  years ago when we did a tribute to Peter Wellnhofer . The novelty this time is that it was  synchronised with the bigger and wider SVPCA at Southampton. The twin port city events  were sequenced together non-stop (including field trips) during two successive weeks,  mostly thanks to Portsmouth University Dr. David Martill‘s keen eye for event opportunity. Needless to say, I had to jump to the occasion of meeting old friends and have contact with new ones.DSCN1130
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Unfortunately I could only attend one day at Flugsaurier, but the organising team there was so helpful that they themselves expertly mounted  my exhibit stall.  I had enough time to meet among others Pteroart personality and new Paladin of Paleoart of the year Mark Witton,DSCN1142

…. and Bob Loveridge, one of the luckiest persons in the world! He massaged to find this Pterosaur marvel after his first clean hammer blow to his first rock in Solnhofen… here he is with fellow Zeppelin and Paleoart fan Steven Vidovic admiring the piece.

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The other side of the pond was well represented: old friends like Brooks Britt, Don Henderson and the legendary Brent Breithaup (last two in the picture) were there. Regrettably no auction action for Brent this time!

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But the “glue” to both meetings -and the emerging star of both shows- was David Martill. David is a Palaeontologist  that manages to preserve my faith in Science overcoming Bureaucracy when it becomes a real hindrance. And he is -as we were going to be able to see- the man than exposed the Snake (with capital “S”) to the world!

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Next was SVPCA  at  Southampton’s  National Oceanography Centre . We managed to stay  for the whole duration. More delegates than ever (close to two hundred), a great organisation by Gareth Dyke and his team of undergraduates (first time we could be attending the talks while we were at the exhibitor’s hall!)  and some interesting surprises, both at the Paleoart level and at the “Scientific Paper ” level .

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DSCN1215 DSCN1205DSCN1231 As you can see Carmen and I managed to mount a really nice stall (lots of space available) and  we were often in very good company at the exhibitor level!DSCN1289

Meet the fluffy marvels of Rebecca Groom, her fantastic, fully articulated Yutyrannus  became fast the mascot of everybody…  and her  fabulous Tiktaalik was the star of the AuctionDSCN1200 DSCN1194
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Here are some fine examples of the casting and modelling abilities of Andrew Cocks

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DSCN1211And of course, Richard Forrest and his mobiles, one pterosaurs and another marine reptiles) that were made especially for his grandson..,. but at the end auctioned for the benefit of many more!. Here admired here also by Dave Hone ... a gathering of the two great UK ptero-marine reptiles star heroes!

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Not much to say about the dinosaur talks this year (except perhaps some mind-blowing ideas about fighting Brontosaurus from Mike Taylor and a basal neotheropod from the early Jurassic by Martill) . However I found this little extra in the entertaining mini Dinosaur Encounter at Sea City Museum Southampton… the Past and Present of Paleoart…glad to see that I’m still considered  part of  the museum of “the present”!  The Holtz/Rey Random House “Dinosaurs, The Most Complete Encyclopaedia…” lives on !(and so Steve White’s compilation book Dinosaur Art).

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DinoFooter-NEW1Rebecca Groom was everywhere… so the exhibition would not have been complete without her other work too!

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My exhibit stall is always an excuse for an increasing number of snapshots of viewers of “Dinosaurs In Your Face” for my collection… here Bob Loveridge,  David Unwin and the illustrious Godzilín Spanish entourage (recommended!)… thanks to Iván Narváez for the picture!… of course David Martill and I shared a joke or two about snakes… mostly!

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And speaking of stars, well, the moment  that everybody (some openly, some secretly) awaited finally arrived. Nick Longrich was there to  do a full presentation  of Martill’s famous and controversial missing-link, Early Cretaceous snake Tetrapodophis amplectus. The controversy surrounding this famous fossil from Brazil,  that years later appeared “accidentally” or “mysteriously” in Germany, is not a scientific one,  but a bureaucratic one.  I will stand for anything that counters stagnation in science (and art), and bureaucracy is a kind of snake that in this case (as in so many) the only thing it does is precisely that: paralyse and hide. They will try to poison  everything when you less expect it.. !

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Nick Longrich presentations are always guaranteed to set your teeth on edge. I have known Nick for many years and he is as thorough in his approach as  annoying to people that can’t bear his obsessive zeal for detail and sharp observations… all in the name of the science… and that I respect most!  He showed us how clearly  the specimen is precisely “Evolution caught in the act”… a snake, which used its long body as a boa constrictor but had four, fully functional tiny members that helped to grapple the prey… a true paleontological event!

We owe David Martill to have saved that specimen out for private hands,  scientifically disclosing and describing it  with  Nick Longrich and above all,  releasing everything to us. We deserve that! I can just see the face of smug bureaucrats and, of course, the  creationists, who may be feeling the most frustrated dummies in the world by now.Tetrapodophis

HindlimbSVPCA was specially fruitful for me in a number of things.  I don’t have the space to  name everyone that I felt indebted to in this meeting and Flugsaurier, but, apart from the already mentioned,  my partner Carmen NaranjoRichard Hing, Niels Bonde, Eric BuffetautGeorgia Witton Maclean, JJ Hill, Jeff Liston, Craig Fraser, Roh Nicholls, John Conway, Sandra Chapman, Rebecca Gelernter and a good bunch deserve special mention for their support, appreciation, stimulating chat and company.

 I can say that some others will be  also responsible for a new T. rex/Triceratops restoration I’m planning and I’m looking forward to do something about Stu Pond’s and Sarah-Jane Strachan’s new weird, exotic and wonderful Polacanthus-relative.

And speaking of snakes… well, here’s my emblematic surreal Mexican version of an old battle that the Snake lost…pity it’s missing the front legs, but that will be solved very soon!

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