Parasaurolophus: A Dangerous Orchestra.

THE DANGEROUS DINOSAUR ORCHESTRA.From Random House’s “Dino Babies”  (Bakker/Rey)

This is a personal favourite. Robert Bakker (always classically-minded) compared this illustration to the depiction of a battle scene by Alexander the Great (mostly for its dynamics). For me this is the ultimate Dinosaur Ochestra of Parasaurolophus protecting their babies with the basso-profundo horn section blowing at full earth-shaking intensity!

I’m proposing here sound as one of the main weapons of the apparently inoffensive hadrosaurs. That could explain the fact of their lack or armour (better than speed, poison or other reasons that have been proposed). High and low ultrasound and many other types of uncomfortable use of sound have been well known and used as defence and attack mechanisms. It may also explain why the only evidence of tyrannosaur attack on a hadrosaur comes from bitten (but later healed) tail vertebrae… the tyrannosaur had to ambush from behind or risk deafness or paralysed nervous system!

The -almost deaf by now- poor retreating tyrannosaur in this picture was drawn using the original design in the Gigantoraptor scene that was to be modified and turned into Alectrosaurus.

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Having fun with Jurassic Park. Old “Velociraptor” mutates into Deinonychus, and gets its feathers back!

An old Jurassic Park toy model was languishing unused in my vaults and I thought: what I would have done if it was me designing Jurassic Park? What would have I done to correct the stuff that has become so popular (mistakes and all)?

Using as starting point the idea of bringing out in 3-D every bit of my old -controversial- painting of the original turkey-like Deinonychus vanquishing Tenontosaurus, I decided to completely remodel everything that was wrong with the old so called “Velociraptor” in the movie (including the lack of feathers).

Obviously the main issues were remodelling the head, face, tail and arms  but that was nothing compared to the task of feathering the model.  I used several bird skins and my shed was covered in feathers for months . The feathers around the arms and tail had to be drilled in one by one.

I find almost offensive all the reconstructions I see that do not know how to feather the arms of raptors…. No they did not have a fan of ornamental feathers staring small at the wrist leaving the hands free to do the diva-thing at an Eurovision contest.  The feathers started long, possibly on top of the second digit, fanned out and then got smaller as they approached the elbow. The second digit was partially covered and the third digit was most probably under the feathers. Alan Gishlick classic paper on the mobility,  structure and proportions of the hand and arm of Deinonychus is taken in consideration here.

A prospective wing for sure?

Months in the making, this has turned out much more than a simple toy modelling hobby.

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Velociraptor

Velociraptor. Fully arm-feathered as the newly discovered of ulna bumps for quill attachment demonstrate.

Yes, we were right from the beginning

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Spinosaurus

New Spinosaurus (based on a fairly complete jaw found in Niger and the work of Cristiano Dal Sasso and Eric Buffetaut).

It is so difficult to make understand Hollywood that these animals had a really narrow skull! This one is busy trying to find a Lepidotes to eat… not a T. rex… never… ever!

Foreshortening is a difficult task in art and has been one of my favourite fades since I started doing dinosaurs… at the beginning it was really difficult to convince editors that the back legs of a dinosaurs could never come to you >before< the head and that the head would be overwhelmingly bigger than the rest of the body at that angle.

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Medusaceratops (for Michael Ryan)

Yes, another ceratopsian. Sexual election had a field day with frill and horn variety in ceratopsians… the collection of different species grows by the minute.

 

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Edmontosaurus chased by Tyrannosaurus.

Believe it or not, this Edmontosaurus (correction!) was again traced right on top of one of my own pictures of a mounted cast skeleton at the Oxford University museum… weird angle!
Using real models can change anybody’s traditional perspective of how the animal must have looked in real life and is an excellent way of doing your homework. Obviously there are many things to be taken in consideration to know how to modify dodgy museum mounts… and for that you need to do even more homework.

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Supersaurus Vs Torvosaurus

Supersaurus and Torvosaurus, originally commissioned by Scott Hartman. Published in “DINOSAURS: THE MOST
COMPLETE, UP-TO-DATE ENCYCLOPEDIA FOR DINOSAUR LOVERS OF ALL AGES” (by Tom
Holtz Jr. and Illustrated by Luis V. Rey)

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Astrodon Vs Utahraptor, Mark 2

Another view of Astrodon versus Utahraptor (originally published in The “DINOSAURS: THE MOST
COMPLETE, UP-TO-DATE ENCYCLOPEDIA FOR DINOSAUR LOVERS OF ALL AGES” by Tom
Holtz  Jr. and illustrated by Luis V. Rey)

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Apatosaurus in the forest

Apatosaurus, the deceptive thick-necked eating machine.

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REVAMPS OF OLD FAVOURITES.

Two reconstructions of Allosaurus for a Ryan Tucker’s project (North Dakota).

Allosaurus avoiding Stegosaurus’ tail

Allosaurus admiring The Impossible Meal… Giraffatitan brancai.

Allosaurus has become a standard in a lot of my new artwork. You will see more in the near future. A handsome “tiger” of the Jurassic. Not wanting to be too controversial, the Stegosaurus and Giraffatitan were traced directly over skeletal mounts in Colorado and Chicago.

 

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